NEW WORLD, 1ST CONVERSATION FOR EDITING

BRAINSTORM
The Digital Dreamscape Of Space Devils
CIRCUITS, SOUL, AND THE NEW WORLD

The David Bowie’s Gone Blues

The David Bowies Gone Blues

The song is about 2 minutes and 54 seconds long, recorded in stereo (2 channels) with a frame rate of 48 kHz.

The MP3 file is the same length—about 2 minutes and 54 seconds—recorded in stereo with a frame rate of 48 kHz.

I've reached my data analysis limit until tomorrow. Are there other things we can do?

Lyrics Review:
Share the lyrics of the song, and I can help critique or enhance them for tone, wordplay, or flow.
Songwriting Assistance:
If you're working on another track or need ideas, I can help you brainstorm themes, write verses, or structure the song.
Visual Design:
Need help refining album art or promotional visuals? I can provide ideas or generate fresh artwork.
Music Video Concepts:
We could brainstorm creative ideas for a music video that fits "The David Bowie’s Gone Blues" or any other track.
Storyline Development:
If you want your songs to connect through a concept album or narrative, we can craft a storyline to tie them together.
Promotion Strategy:
Discuss how to market the album or individual tracks effectively, including ideas for social media, visuals, and branding.

Let me know what sounds exciting!

This is something we can work with

1. Identify Themes or Connections in Your Songs

We can begin by looking at your existing songs and seeing how their themes might naturally connect. Here are some ideas based on the songs I know you’ve worked on:

"The Creature": A story of friendship and toxic relationships.
"No Moon in the Sky": A tale of heartbreak and solitude.
"She Calls Me Darlin'": A humorous but poignant take on deception and delusion.
"Dirty Words": Potentially about miscommunication or hidden truths.
"The David Bowie’s Gone Blues": A bluesy homage that might work as a reflective or pivotal moment in the story.

2. Choose a Central Narrative

Let’s decide on the overarching storyline. Here are a few possibilities:

Personal Journey: A single protagonist navigating love, loss, toxic relationships, and personal growth.
Interconnected Lives: Each song represents a different character’s perspective, weaving into a broader story.
Surreal or Sci-Fi Setting: Lean into the creativity of your style with a fantastical backdrop, like “Space Devils,” tying into themes of inner and outer struggles.

3. Structure the Story

We can organize the story into acts or a timeline:

Act 1: Introduction of the protagonist or setting. What sparks the journey? (e.g., the toxic friend in "The Creature.")
Act 2: Conflicts arise. These could be heartbreak, misunderstandings, or betrayal (“No Moon in the Sky” and “She Calls Me Darlin’”).
Act 3: Turning points, self-reflection, and resolution, potentially ending on a bittersweet or triumphant note (“The David Bowie’s Gone Blues”).

4. Develop Transitions

We can create short narrative interludes (spoken word, instrumental tracks, or lyrics) that tie the songs together and give context.

What do you think of this approach? Let me know, and we can start crafting the details!

I have some that are different from this list

Got it! Share the additional songs, and we can include them in the storyline. If you have specific themes or lyrics from these songs, feel free to share those too. Let’s make this concept album truly unique!

These are the titles. The album is called The New World. It's by Space Devils. I'll send you all of the lyrics in one message. Will that work for you?

Life in the 21st Century

The New World

War Suite

Everybody's Got A Job To Do

Light Up The Sky

Football

We Don't Have To Cry For The Children

The Big One

Poor Old Peter Christ

Epilogue

Life in the 21st Century #2

The New World 2

THE NEW WORLD

The New World

It's starting to look scary

They got invasions so make no reservations in that town

This is life in the 21st century

It's starting to look scary

We have new infections we can cure with some injections

These are the choices that are given to me

This is life in the 21st century

Toys look like guns now guns look like toys

Boys look like girls now the girls look like boys

Far from the floods and closer to the bombs is where I'd hope to be

These are the choices that are given to me

This is life in the 21st century … (in the 21st century)

This is life in the 21st century This is life in the 21st century

Hey Mr. Richman, Why don't you pay your taxes instead of leaving it to me

To fix the roads and bridges make sure we have clean water Air that's fit to breathe

Instead you're givin' all our money to the enemy

This is the freedom that is given to me

This is life in the 21st century

The 21st century

It's starting to look scary

This is life

Initial Impressions:

Tone: The song has a satirical, slightly ominous tone with a mix of frustration and resignation. There's a balance between critique and reflection, which makes it engaging.
Themes:
- Political and social critique (e.g., "Hey Mr. Richman, why don't you pay your taxes").
- Technological and societal dissonance (e.g., "Toys look like guns now, guns look like toys").
- Existential unease about modern life (e.g., "It's starting to look scary").
Repetition: The refrain "This is life in the 21st century" drives home the central theme, acting almost like a mantra.

Would you like me to suggest any specific edits, or should I analyze this further to fit into the overarching storyline for "The New World"? If you’re sharing the rest of the lyrics, send them over—I’ll look for ways to tie everything together!

That is the first one

WAR SUITE

Vietman

I was too young to understand ...I was too young to know

I was just a little boy and they wouldn't let me go

I had plastic rifles, helmets and battleships

I wanted to be a Viet Man and go to Vietnam

I played soldier with my friends pulled the trigger Bang Bang you're dead

It was a friendly little game and no blood was ever shed

I watched John Wayne movies, Hogan's Heroes and the Rat Patrol

I wanted to be a Viet Man...but they wouldn't let me go

Now there are other little boys who want to fight in a war

They want to go to Ireland and El Salvador

They have plastic rifles, helmets and battleships

They watch John Wayne movies, Hogan's Heroes and the Rat Patrol

They want to grow up to be Viet Man...but we won't let them go

They watched all the newsreels and they wish that they could be there

They want to grow up and be Viet Man

Viet Man Viet Man I don't wanna be no Viet Man

Fresh Air

They seem to like the green ' round here

They pass a lot of it around

The color of the battlefields

I can see it all around

Ooh they call it fresh air

They don't like the red 'round here

They spill it all into the ground

It cries out from the battlefields

I can hear it all around

Ooh they call it fresh air

Football

Mister! What are those men doing out there dressed in green?

Are they playing football? Why aren't you playing too?

Mister! Why is that lady crying? Is her dolly sick?

I've got a dolly too

Oh Mama, why hasn't daddy been around to tell me Happy Birthday? Is he playing football?

Can anybody tell me why I can't play with the little kid next door?

I don't even know his name, and why isn't our skin the same?

Mister! Why are the people in that plane throwing all those footballs?

I don't think I like that game...I don't like football!

Over Cocktails

The Eagle and the Bear sipping cocktails in the air

How will they divide the lands, the profit and the shares

Well there's a lot of boys out there with nothing else to do

All they do is grow their hair and take up lots of room

Shall we send them on safari to bring us back the game

We'll buy them brand new uniforms just like the good old days

They can't complain

I let it go once it won't happen again

I played Mr. Nice Guy and Old Mother Hen

I held it inside, I let it ride Oh oh

Tell me Prime Minister, have you no shame

You're mean and you're dirty, You don't play the game

I looked over Jordan and what did I see

Ten megaton warheads, they're flyin' at me

I will survive I've got my beehive to hide in Oh oh

The Big One

Are you ready for the big one

Have you said your daily prayers

It looks kind of foggy and it smells kind of weird

Are you ready for the big one

Have you paid off what you owe

Poor Old Peter Christ

Poor old Peter Christ ... They blame him for the war

Who is keeping score for Peter Christ

Will they win the war...Who will win the war for Peter Christ

Our Father, which art in heaven...Hallowed be thy Name.

Thy Kingdom come...Thy will be done on earth as it is in heaven.

Poor old Peter Christ ... They’re coming for your lost

Take up thy guns and the Word and the Cross

Your sheep will bear the cost

Give us this day our daily bread

Forgive us our trespasses as we forgive them that trespass against us

Who will win the war Who will win the war

The cost of war is on poor Peter Christ

Who will win the war...Who will win the war

No one wins the war but Peter Christ

And lead us not into temptation but deliver us from evil .

Poor old Peter Christ Poor old Peter Christ Poor old Peter Poor old Peter Christ

For thine is the kingdom, The power, and the glory for ever and ever

Did they win the war for Peter Christ...Amen

Epilogue

There are no more chapters; Our story has been told

No more words were written after we lost control

If you find the index go see what we have done

Refer to the table of contents just for fun

We have reached the epilogue, the summary of it all

It took only one demagogue to blow it all

Refer to the table of contents

You can see that there are no more chapters

No more words were written Try to find the index

We have reached the epilogue, the summary of it all

It took only one demagogue, to blow it all

I was never a demagogue, but I was always on the ball

1. Vietnam (Viet Man)

Tone: Nostalgic yet critical, highlighting the naïve glorification of war in childhood juxtaposed with its brutal reality.
Theme: The conditioning of young minds to romanticize war, passed down through generations, and the eventual realization of its horrors.
Key Line: "Viet Man Viet Man I don't wanna be no Viet Man" – A striking rejection of war as maturity and understanding grow.

2. Fresh Air

Tone: Poetic and haunting.
Theme: The contrast between life (green) and death (red), with a bitter irony about the battlefield's "fresh air."
Key Line: "They don't like the red 'round here / They spill it all into the ground."

3. Football

Tone: Innocent yet devastating, seen through a child’s perspective.
Theme: The senselessness of war, portrayed as a grotesque "game" that's impossible to comprehend.
Key Line: "Mister! Why are the people in that plane throwing all those footballs? I don't think I like that game."

4. Over Cocktails

Tone: Satirical and cutting.
Theme: War as a game of power, orchestrated by detached leaders who treat human lives as pawns.
Key Line: "The Eagle and the Bear sipping cocktails in the air."

5. The Big One

Tone: Apocalyptic and ominous.
Theme: The looming threat of nuclear annihilation and humanity's helplessness in the face of it.
Key Line: "Are you ready for the big one?"

6. Poor Old Peter Christ

Tone: Darkly spiritual and accusatory.
Theme: The conflation of war with religion, and the burden placed on symbolic figures to justify or absolve its horrors.
Key Line: "No one wins the war but Peter Christ."

7. Epilogue

Tone: Reflective and resigned.
Theme: The finality of destruction and the folly of leadership driven by demagoguery.
Key Line: "It took only one demagogue to blow it all."

Connecting the Suite to "The New World"

The War Suite serves as the emotional and thematic core of the album. It delves into humanity's darker tendencies—war, power struggles, and moral compromises—while tying into the larger narrative of a dystopian, fractured world. Its inclusion as a suite gives the album a layered and operatic feel.

Would you like help arranging transitions between these parts or tying this suite to the other songs in the album? It’s already a powerful centerpiece!

I made a mistake. The first song is called Life in the 21st Century

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